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Rihanna Anti Album Zip Cracked And Intoxicated

Anti DOES feel like stream of consciousness, it IS cracked and intoxicated, it IS an indulgence of sorts, and the title seems to be a reaction against expectations.

A pop star for ten years, and one of the planets biggest since the all-conquering success of Umbrella two years into that career, she maintained a Stakhanovite work ethic and has the startling record being equalled only by The Beatles and Elvis Presley for having US number one hit singles in seven consecutive years.

But its now over three years since her last full album, Unapologetic, with only a scattering of singles and soundtrack contributions to fill that gap, and repeated delays in the release of this one until it was suddenly put out without warning.

On top of this, her public image has been one built on controversy and transgression.

Maybe Rihanna is simply fed up with being expected to make in your face radio smashers Which is why the single Work was met with widespread disappointment.

Featuring the ubiquitous drone Drake, its a gentle dancehall lope, without anything in the way of a blaring chorus, and its easy to see why fans waiting for an explosive return didnt like it.

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Actually, though, bar the dreariness of Drakes unendingly smug and self-pitying android act which thankfully is kept to just one section of the song its actually an elegantly put together little thing, Rihannas sing-song chant is infectiously catchy, and the possibility arises that maybe shes just mellowing out a bit.

The tracks that surround Work on the album the classily swung retro-hip hop beat of opener Consideration, the beatless Stevie Wonder-flavoured miniature James Joint, and the big, trippy pop ballads Kiss it Better and Desperado only reinforce that feeling.

Theyre fairly sweary, druggy and sexy but not in any hey does this shock you way.

Maybe Rihanna is simply fed up with being expected to make in-your-face radio smashers and headline-generators and just wants to chill a bit.

Id rather be smoking weed goes the first line of James Joint, and perhaps this is her stoner indulgence album.

Then were back to slick slow-jam territory with Yeah, I Said It a sultry creation that Timbaland and the late Aaliyah wouldve been proud of in the early 2000s, the six-minute mid-tempo Same Old Mistakes and the acoustic Never Ending.

Then comes possibly the biggest surprise: Love on the Brain and Higher pop up, all high drama old-school soul vibes, like a mini-Amy Winehouse tribute.

Indeed the opening line of Higher, this whisky got me feelin pretty is as archetypally Winehouse lyrically and in delivery as its possible to get.

First, the production is as futuristically crisp as all the more electronic hip hop tracks, flipping quite a tired trope into something more original than almost any other post-Amy chanteuse has managed.

And second, they bring home dramatically how Rihannas voice has matured: all that drinking and smoking has clearly been paying dividends, as her always-distinctive but never technically brilliant and sometimes grating voice has had the edges rubbed off and theres some new-found panache to her phrasing.

For better or worse, shes no Whitney or Mariah and never will be, but even on the relatively unremarkable piano ballad closer Close to You shes altogether a more interesting singer than before.

And when you go back for repeat listens to the rest of the album, you hear that this is the case throughout.

So yes, Rihanna has sidestepped the need to provide maximum hype and has produced something that while still produced like a million-dollar pop record is considered, personal, peculiar and often quite wonderful.

This off-hand dropping of what could have been a smash Rihanna single feels a little like a message, as if to say I could do tracks like this blindfold giving the audience what they want would be easy; but this album is what I want.

I saw someone on Facebook describe the record as like someone drunk texting at 5am as if that was a bad thing.

Rihanna Anti Album Download Zip